Wise words from writers and artists born on November 29:
from American novelist Louisa May Alcott (Little Women,
Little Men) (1832-1888):
I like good strong words that mean something...
Some books are so familiar that reading them is like
being home again.
She is too fond of books, and it has turned her brain.
--
from English writer and scholar C.S. Lewis (The
Chronicles of Narnia, The Screwtape Letters, Mere Christianity) (1898-1963):
Always try to use the language so as to make quite
clear what you mean and make sure your sentence couldn't mean anything else.
Don't use words too big for the subject. Don't say
'infinitely' when you mean 'very'; otherwise you'll have no word left when you
want to talk about something really infinite.
Writing is like a 'lust,' or like 'scratching when you
itch.' Writing comes as a result of a very strong impulse, and when it does
come, I, for one, must get it out.
Even in literature and art, no man who bothers about
originality will ever be original: whereas if you simply try to tell the truth
(without caring twopence how often it has been told before) you will, nine
times out of ten, become original without ever having noticed it.
Some day you will be old enough to start reading fairy
tales again.
A children's story that can only be enjoyed by
children is not a good children's story in the slightest.
I can't imagine a man really enjoying a book and
reading it only once.
You can't get a cup of
tea big enough or a book long enough to suit me.
--
from American author Madeleine L'Engle (The Small
Rain, A Wrinkle in Time, A Circle of Quiet) (1918-2007):
Inspiration usually comes during work, rather than
before it.
A book, too, can be a star, a living fire to lighten
the darkness, leading out into the expanding universe.
Our truest response to the irrationality of the world
is to paint or sing or write, for only in such response do we find truth.
You have to write the book that wants to be written.
And if the book will be too difficult for grown-ups, then you write it for
children.
We can't take any credit for our talents. It's how we
use them that counts.
--
from Lithuanian writer, playwright, stage actor, and
director Antanas Škėma (White Shroud [Balta drobulė])
(1910-1961):
In literature, everything is beautiful. Even nasty
things. Suicide is disgusting. But I need to.
It's disgusting to die, so I drink. I'm afraid to die,
so I'm writing. I'm afraid to die, I'm swallowing pills. It's all for the sake
of dying.
--
from painter James Rosenquist (Astor Victoria,
1947-1948-1950, Zone, F-111) (1933-2017):
When things become peculiar, frustrating and strange,
I think it's a good time to start painting.
I'm interested in contemporary vision—the flicker of
chrome, reflections, rapid associations, quick flashes of light. Bing! Bang!
I stick the collages on the wall and, if I still like
them after a month or two, I make a painting.
To be creative is to be accepting, but it's also to be
harsh on one's self. You just don't paint colors for the silliness of it all.
--
from American actor and playwright Chadwick Boseman (42,
Get on Up, Avengers franchise, Marshall, Da 5 Bloods, Ma Rainey's Black
Bottom, Hieroglyphic Graffiti, Deep Azure) (1976-2020):
I'm an artist. Artists don't need permission to work.
Regardless of whether I'm acting or not, I write. I write when I'm tired in
fact, because I believe your most pure thoughts surface.
There's nothing more stressful than your stomach
growling. But interestingly enough, some of my best writing came when I was
poor and hungry—living off water and oatmeal, mind clear.
Nobody has to give me permission to write.